1. Method
  2. Selected work

The Caffeinated Toddler Problem

๐—ง๐—ต๐—ฒ "๐—–๐—ฎ๐—ณ๐—ณ๐—ฒ๐—ถ๐—ป๐—ฎ๐˜๐—ฒ๐—ฑ ๐—ง๐—ผ๐—ฑ๐—ฑ๐—น๐—ฒ๐—ฟ" ๐—ฃ๐—ฟ๐—ผ๐—ฏ๐—น๐—ฒ๐—บ ๐—ถ๐—ป ๐—”๐—œ.

Two years ago, Weber W. was a VC at Menlo Ventures. Then he had a "quarter-life crisis," quit his job, and went to work in a coffee shop.

(Most finance guys in that situation just buy a slightly worse fleece vest. Weber decided to build a $42 million company called FLORA instead.)

He realized something vital.

๐—”๐—œ ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐˜๐—ผ๐—ผ๐—น๐˜€ ๐—ฎ๐—ฟ๐—ฒ ๐˜๐—ต๐—ฒ ๐˜๐—ฒ๐—ฐ๐—ต๐—ป๐—ผ๐—น๐—ผ๐—ด๐—ถ๐—ฐ๐—ฎ๐—น ๐—ฒ๐—พ๐˜‚๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฒ๐—ป๐˜ ๐—ผ๐—ณ ๐—ด๐—ถ๐˜ƒ๐—ถ๐—ป๐—ด ๐—ฎ ๐—ฐ๐—ฎ๐—ณ๐—ณ๐—ฒ๐—ถ๐—ป๐—ฎ๐˜๐—ฒ๐—ฑ ๐˜๐—ผ๐—ฑ๐—ฑ๐—น๐—ฒ๐—ฟ ๐—ฎ ๐—ณ๐—น๐—ฎ๐—บ๐—ฒ๐˜๐—ต๐—ฟ๐—ผ๐˜„๐—ฒ๐—ฟ.

It is incredibly powerful.
It is visually spectacular.
And you absolutely need someone responsible to tell them where to point it.

Professional creatives don't need a magic button to generate "fun pictures of your dog". They need ๐—–๐—ข๐—ก๐—ง๐—ฅ๐—ข๐—Ÿ.

They need a steering wheel for the flamethrower.

The results are already terrifyingly efficient.
Pentagram is using FLORA to generate hundreds of logo variations at once.
A tire shop owner in Montana is using it to run his entire brand.

๐—œ ๐—น๐—ผ๐˜ƒ๐—ฒ ๐˜๐—ต๐—ถ๐˜€ ๐—ณ๐—ผ๐—ฟ ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ๐˜€. ๐—”๐—ป๐—ฑ ๐—œ ๐—ณ๐—ฒ๐—ฎ๐—ฟ ๐˜๐—ต๐—ถ๐˜€ ๐—ณ๐—ผ๐—ฟ ๐—บ๐˜† ๐—ฐ๐—ฎ๐—น๐—ฒ๐—ป๐—ฑ๐—ฎ๐—ฟ.

Because the prediction is clear: The value of "rote manual creative labor" is crashing. The value of ๐—ง๐—”๐—ฆ๐—ง๐—˜ is skyrocketing.

We have entered an era where the machine can make anything.

The toddler creates the chaos.
You have to be the adult who decides what goes on the fridge.

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Inspired by the conversation between Weber W. and Jonathan Lai